Showing posts with label Gallery Atsui. Show all posts
Showing posts with label Gallery Atsui. Show all posts

Friday, March 13, 2009

"Before/After" by Sascha Yamashita - FRESH PICKS V1E11

"Double, double toil and trouble,
Fire burn, and cauldron bubble".

Providing Shakespeare's witches with fuel for the fire must have been demanding work, and the wood-stoked pot over which they said their ritual incantation holds water for our new FRESH PICKS EDITION.

"Before/After" by Sascha Yamashita reminds us that an artist's work is thankfully never done. This stunning photograph from his "Before/After" Wood Pile installation references the following ancient Zen Buddhist proverb: “Before enlightenment - chop wood carry water. After enlightenment - chop wood, carry water.”

Through considering daily tasks and rituals in an artful manner, Sascha reminds us of the work ethic and repetitive hands-on-labour traditionally a very noble part of an artist's working life. This ritualizing of artmaking has a long tradition, including such conceptual trail blazers as Bruce Nauman and Mierle Laderman Ukeles. Nauman said of this own understanding of art work and repetition that if “I was an artist and I was in the studio, then whatever I was doing must be art” - suggesting his belief in the power of art to ritualize labour and mark it as important. In her 1970's "Maintenance Art Performances", Ukeles also turned repetitive “house work” into “art work” through performing domestic labour in a fine art context such as on the steps of a museum.

Wood Pile specifically considers repetitious and ritualized art practices through the allegory embedded in the work to question the “interwoven relationships of viewer/art object and process/result”. Finally, with "Wood Pile", there is the further suggestion that art practice approached in this fashion can lead to enlightenment, and that after enlightenment, there is still much more artwork to be made.

Sasha is a young conceptual artist who’s work draws from literature, art history, religion, philosophy, pop, Japanese and Canadian culture. Canadian-born to one Japanese and one Canadian parent, the conflation of culture plays a natural role in Sascha’s work. A year 2000 visual arts graduate of Emily Carr University of Art and Design, Sascha has shown his work in galleries across British Columbia and Washington State including: the Museum of Northern BC, Helen Pitt Gallery, Kamloops Art Gallery, Viking Union Gallery and the Back Gallery Project. In 2008 Sasha co-founded Vancouver’s Gallery Atsui and is currently an acting director. For more information go to: http://www.galleryatsui.com/.

BUY "WOOD PILE" NOW STARTING AT $45+

Saturday, February 7, 2009

"Let Them Eat Cake" Exhibition Opening Friday February 6, 2009


"Let Them Eat Cake" opened last night at Gallery Atsui in Vancouver, BC to a full house. The show features four female artists working in very different media: painting and installation, photography, traditional French tapestry and food styling medium. My curatorial idea was inspired by a pivotal scene set to Bow Wow's "I want candy" in Sophia Copola's movie, "Marie Antoinette", drawing on the idea of excess in a time of increasing economically difficult times; fun and frivolity; creative expression by women, and cake as metaphor for what drives people - food, sex, abundance, not neccessarily in that order.

In lieu of an artist statement San Francisco-based artist Leah Rosenberg baked two cakes decorated in pastel hued butter cream icing. Leah's painting graces the front window and her layered sculpture and cake-wedge paintings, sometimes mirrored against the gallery wall, pointed people through the main exhibition to the back room where one could partake of the edible cakes.

Ruth Jones' fine tapestry skills were on meticulous display with a suprising and highly contemporary tapestry of a woman holding a tiered layer cake. The effect of the piece was of the merging of the woman and the pastry into one - the woman melting into the cake and the cake melting into the woman. Tapestry was the most important figurative medium of the eighteenth century and this work provides the most direct thread of connection between this very eclectic mix of artists and my original inspiration for the exhibition.

Artist and food stylist Jo Strongman created a faux-tiered cake and an unbelievably realistic ice-cream sundae topped with glittery nail polish, purposely inedible.

Jennifer Mawby's low resolution photography showed painterly pixelation on velvety inkjet prints - the pixelation visually referencing both the stripes in Rosenberg's wedge sculpture/paintings and Jones' fine stitches.

There will be Saturday afternoon tea parties from 2pm to 4pm for the month of February for anyone who missed attending the opening.

Thank you to everyone who attended last night and today's tea party!

Sherri Kajiwara
Guest Curator
Let Them Eat Cake

VIEW EXHIBITION AND OPENING PARTY PICTURES HERE

Friday, January 30, 2009

VANTAGE EXHIBITIONS - "Let Them Eat Cake" at Gallery Atsui (Feb. 6 to 28/09)





















Join us for "cake" at the opening reception Friday, Feb. 6/09 from 8-10 pm.

Sunday, January 18, 2009

"Redbeard Rides a House Grave of Green and Yellow" by Sandra Lopuch & Ben Edmiston FRESH PICKS V1E7

Fresh Picks is pleased to release our first edition of a collaborative work. Sandra Lopuch and Benjamin Edmiston's "Redbeard Rides a House Grave of Green and Yellow" is a brand new, unique, mixed media work following on the theme of Redbeard launched at Gallery Atsui in Vancouver in their "No Strings Attached "exhibition in 2008. The edition will be released on Sunday, January 18, 2009.

Canadian West Coast-based Sandra Lopuch, trained at ECIAD, the Carl Malmsten Institute for Wood Technology and Design in Stockholm, Sweden. Sandra is trained as an industrial designer and completed some impressive design internships before teaming up with New York based illustrator Benjamin Edmiston (Ben). Sandra refers to her textile stitchery work as "painting with string".

Ben is originally from Bethlehem, PA. he attended the Tyler School of Art and now lives and works in Brooklyn, New York. He creates imagined civilizations of vibrant, decorated and often moustached characters. Ben's latest group of drawings derives from his interest in seeing the face as an endless template to navigate formal issues. Totem poles, birthday hats, and masked thieves are reoccurring images inhabiting his work.

"Redbeard Rides a House Grave of Green and Yellow", is an original illustration by Ben, embroidered in string by Sandra. The result is a colourful, tactile, multi-layered work.

Fresh Picks is Vantage Art Projects' series of affordable limited edition fine art prints. The series allows art lovers to own work that is current and representative of the contemporary artscape. It is an unprecedented way for artists to share their work with collectors and art lovers across the world. Released twice a month, the artist and work is first announced to our mailing list and is sold exclusively through the Vantage Art Projects website.

Fresh Picks is a unique opportunity to collect an image from Sandra Lopuch and Benjamin Edmiston that is an exclusive release from their collaboration. It is only available through the Vantage website. Buy "Redbeard Rides a Grave House" now.

For information on the artists, please contact sandralopuch@gmail.com.

For more information and media queries about Vantage Art Projects, please visit www.vantageartprojects or e-mail luisa@vantageartprojects.com.